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Waiting in line for the MoMA’s Rain Room: Some datapoints and pointers

Update (7/24/2013) – Confirmed: you will likely never get to see the Rain Room in New York if you haven’t seen it yet. See the table below to see the latest wait times.

Summary I saw the rain room MoMA exhibit. If you are thinking of visiting it, too, be prepared for a long wait, even as a member. Jump to my compiled historical list of approximate wait times.

I finally saw the much-talked about Rain Room – by the art + design + engineering group, rAndom International – at the MoMA this Saturday, and all it took was waking up at around 5:30AM on a Saturday to get in the members-only line at 6:30AM, which is 3 hours before the “members only preview” actually opens. I was first in line, and about 15 minutes later, a couple joined me. They were members too, despite only visiting New York for the weekend, because they had bought memberships just to see the Rain Room. In addition, they also had the (correct) foresight to arrive extremely early, because (non-bribery) money alone was not enough to guarantee a reasonable wait, as the line grew pretty quickly even at 7AM.

If you don’t care for my admittedly lame anecdotal experience, here’s a crowdsourced table of wait times, by date, day of the week, and membership type, according to the MoMA’s Twitter account, a Twitter search for “#rainroom hours”, and other bloggers.

Wait in hours Date Day Arrival time Line type
9 July 23 Tuesday 9:10AM Members
(Capacity reached) July 22 Monday 2:30PM Both
(Capacity reached) July 14 Sunday 9:00AM Both
4.5 July 12 Friday 2:00PM Members
6.5 July 12 Friday 2:00PM Non-Members
1.75 July 8 Monday 9:30am Members
4.5 July 7 Sunday 9:24am Members
7.5 July 7 Sunday 9:24am Non-members
3 July 6 (me) Saturday 6:30am Members
7 July 5 Friday 10:15am Non-members
4 July 5 Friday 8:30am Members
6 June 29 Saturday 11:39am Non-members
4.5 June 29 Saturday 11:39am Members
7 to 8 June 28 Friday 11:40am Non-members
3.5 June 16 Sunday 1:30pm Non-members
4.5 June 14 Friday 12:31pm Non-members
3.5 June 14 Friday 12:31pm Members
3 June 7 Friday 8:30am Non-members
5 May 22 Wednesday 10:30am Non-members
3 May 20 Monday 2:16PM Non-members
1 May 20 Monday 2:16PM Members
6 May 18 Saturday 10:48AM Non-members
4 May 18 Saturday 10:48AM Members
5 May 18 Saturday 10:30am Non-members
3 May ?? ?? 9:30am Non-members
1.5 May 14 Tuesday 11:38am Non-members
0.5 May 14 Tuesday 11:38am Members

Was it worth it? Well, if you’ve heard and seen what the exhibit is about, don’t expect to experience many startling epiphanies beyond what you can already anticipate (unless you’ve never been around falling water and/or used an umbrella). One of the reasons why the exhibit has such long lines is that it can only accommodate about 10 people at once. More importantly, by mandate of the artists, rAndom International, every visitor is allowed to stay as long as they want so that they can experience the exhibit on their own terms.

However, the MoMA politely urges you to keep your visit at 10 minutes. That was enough for me, even after building up the assholish-level of self-entitlement that comes naturally with waiting in line on Saturdays. Like I said, the Rain Room is what it’s been advertised as: it’s a big dark room where it rains around but not on you. It’s neat in a way that my terrible writing doesn’t quite fully capture, and its core experience stands on its own without eliciting the sneaking suspicion that it’s one of those high brow performance artworks in which the actual artistic value is in how many people it fooled into standing in line for an otherwise mundane experience. But I think I was able to get the full gist of it after 10 minutes…or maybe I just felt guilty about everyone waiting outside in the hot sun.

If you just want to see the exhibit, that is, to stand in the room and watch the people who’ve waited for hours to walk under the rain, there’s a separate, much faster line (a wait of minutes, not hours) for that. But not being under the rainy section kind of misses the point…

The exhibit closes on July 28, about 3 weeks from now, so I imagine lines are just going to get longer.

Note: For the rest of the summer, the MoMA is open until 8PM on Thursdays and Fridays, which gives you a few more hours of accessible time.

Getting in line

This was the line on 54th street at around 7AM, two hours before the exhibit opens (note: bring something to read):

Waiting for the MoMA's Rain Room

I had tried to see the Rain Room the day before and naively thought that showing up at 8:30am with my membership card (members are allowed in at 9:30; general admission starts at 10:30) would be more than enough preparation. And this was the Fourth of July weekend, when you’d expect most of the MoMA members to have left town, leaving me at the head of the line of non-member tourists. Nope. The members-only line stretched down the block and the wait was at least 4 hours in 90-degree weather. While I was there, I overheard a staff member saying that waiting times had been as long as 9 hours (but I didn’t hear what day or time that was for).

So getting in line at 6:30am on Saturday for a 3-hour wait before the day got hot is actually the sane thing to do.

Other data points

The actual wait time varies by day and time. On July 4, the MoMA tweeted it was 4 hours for members, 5 hours for non-members (just in case you worried you’d miss the fireworks).
Back in June, the MoMA said the line typically reached capacity at 3PM, when the average wait was just 2-3 hours for members. A staff member told me that they’ve now cut the line as early as 1:30PM and that in the Rain Room’s debut in London, the exhibit’s lines would reach capacity even before the exhibit opened.

Update: On July 17, the New York Times noted that on the previous Sunday, the line was shut down at 9 AM (i.e. a half-hour before the exhibit actually opened)

Note: The queues in London were reportedly as long as 12 hours

Blogger Usha Joy wrote about her experience in the general admission line on Saturday, May 18. She said the wait was 5 hours: with just 20 people in front of her in the non-members line, she had to wait two hours to get put into the back of the entrance line, and then from there, 3 more hours to actually enter the exhibit. Now that it’s July, I imagine the time delay is a bit longer.

In late June, the MoMA tweeted that a mistaken blogger had fooled people into thinking that June 28 was the last day, leading to waits of 7 to 8 hours. At that time, the MoMA’s Twitter account also said member waits could be as short as 2 hours, and that Tuesdays were best.

To see a list of dates and purported wait times, here’s a link to the table above.

Line for the MoMA's Rain Room

At about 8:15 they let the line move into the fenced holding area, because it’s already long enough to go down to 6th Avenue (interestingly, the non-members line was still almost empty at this point). If you’re a member bringing in a non-member friend, you can purchase admission tickets for your coattail-riding friend inside the fenced area. Actually, everyone can buy tickets at the tent inside, so maybe you should wait on purchasing tickets until you’ve made it through the gauntlet. According to Usha Joy, the wait inside the fenced area is about 3 hours.

They also sell snow cones, too.

At 9:30, we were let in. Whee. Well, I was the first in line so this is what the Rain Room looks like before anyone else is inside:

MoMA's Rain Room; first one in

Here’s some video I took entering the rainy part of the room. In the last part of it, you can see how the room is divided into the “interactive” area and a viewing/waiting area:

There’s plenty of space for people to move around and have their own little personal un-rained spot:

MoMA's Rain Room

The exhibit has some room on the side for people who just want to view the wet fun:

MoMA's Rain Room

Here’s a short clip of me looking up at the ceiling without water getting all over my camera. You can see where the sprinklers are turned off, presumably because people are right under them.

Unlike some special exhibits, the MoMA encourages you to take photos, so feel free to satisfy your Instagramming needs. It’s mostly safe to take your DSLR camera in. If you stand still, water shouldn’t fall on you, though the exhibit’s sensors may fail to track your movement once in awhile. I got doused but I was able to change lenses while standing still.

Posing in the MoMA's Rain Room

MoMA's Rain Room

MoMA's Rain Room

The photos and video above were taken with my DSLR. But you can get decent shots with a camera phone if you expose correctly. This is a photo from what my camera phone:

MoMA's Rain Room

While 10 people get to actually run around in the virtual rain, 20 others are on deck, worrying that the water will run out just before they get their chance to enter.

Waiting for the MoMA's Rain Room


MoMA's Rain Room

So that’s the Rain Room. Pretty novel experience but whether it’s worth the wait is up to you. For me, 3 hours not in 90-degree weather is a decent tradeoff. Nine hours? I’d say, no. The exhibit closes on July 28, so there’s probably going to be a growing rush/panic to see it over the next few weekends.

In summary: prepare to give up a workday or a very early morning to see the Rain Room. Is the Rain Room worth hours of your working/resting life? Is any art worth that? Once you’ve convinced yourself of the affirmative to that perpetual life question, the second question to answer affirmatively is: do I own a lightweight, opaque umbrella?

I initially thought that people who had brought umbrellas while waiting in line for the Rain Room were people who hadn’t read the description of the Rain Room and/or the day’s weather report. But actually, they were smart enough to realize that there’s not much shade on 54th Street. The MoMA does have a few spare umbrellas for those near the front of the line…but don’t go without your own. It’s a long time to stand outside, rain or shine.

Line for the MoMA's Rain Room

Waking up at the crack of dawn seems excessive, but 3 to 4 hours of when you can just sit/nap in one spot seems way more preferable to standing around in midday heat, waiting for the line to crawl forward. Because the exhibit area is so small, even just a few people can make a big difference in wait. Think about it: 10 people at a time means that only about 60 go through in an hour, and that’s only if they all abide by the MoMA’s courtesy rule of a 10 minute visit (are people more likely to overstay their time in the Rain Room the longer they had to wait in line?…) Hopefully the MoMA does something like the Met did with the Alexander McQueen exhibit in 2011 and extends the hours and/or exhibition period.

And there’s the issue of price. Standard entry to the MoMA is $25. I guess if you get into the Rain Room early enough that you can enjoy a few hours at the museum, it’s worth the money. Let’s say your life’s goal was to see the Rain Room, then even a membership just to see it may be rational: If the average difference in wait between members and non-members is 3 hours, then ($85 – $25) / 3 is “only” $20 per miserable hour of waiting.

While I couldn’t justify paying a one-time cost of $25 and waiting for 5+ hours for just about anything, including the Rain Room, I’ve been a member at the MoMA for awhile. And at the risk of sounding like a shill for them, the membership is a decent deal if you live in the city. The MoMA lacks a pay-whatever-you-want policy (as at the Met), so the membership is worth it if you have frequent visitors, because guests of members get in for $5 apiece (i.e. befriend a member before seeing the Rain Room). I’ve even paid for the Film membership for the special movie events at the MoMA’s theater, the best of which by far was the premiere of Jackass 3D, with Johnny Knoxville and his co-stars onstage afterwards to discuss the artistic impact of being hit in the balls while hitting each other in the balls with their microphones. If I’ve made the Rain Room out to be anti-climatic, it’s only relative to the unrealistic heights of cultural sophistication to which I have been acclimated.

Some more helpful reading material about the Rain Room from The Smithsonian, The Australian Design Review and Gizmodo.

The New York Times called the Rain Room “little more than a gimmicky diversion” and followed up with an article about the exhibit’s popularity.

(You can see all my photos at my Flickr account)

Marina Abramović’s Top 50 Time Hogs; (Women sit around a lot)

OK, now it’s time to arrange the participants in the MOMA’s “Marina Abramović: The Artist Is Present” Flickr set by number of minutes each person stared at Abramovic. The Paco dude who went about a dozen times is the only person, apparently, to have stayed the whole day. It’s interesting to read the comments on the portraits of the long-suffering sitters; some people are understandably pissed to have been behind them.

Surprisingly, women made up the vast majority of the top 50 sitters; 37 by my quick visual count. Just a statistical fluke? Does the MOMA have a higher base of female visitors? Did females identify more with the female artist?

(One of Marina’s photos is mistakenly labeled, which is why my script placed her in this list…too lazy to fix right now)

See my list of the top 200 most popular portraits from Marina’s exhibit.

Photos by Marco Anelli. © 2010 Marina Abramović

The Most Viewed Portraits: Marina Abramović: The Artist Is Present, the MOMA

Thought it’d be fun to see the 200 most viewed portraits on the MOMA’s “Marina Abramović: The Artist Is Present” Flickr set. So I wrote a scraper to collect each portrait’s stats, including page views. A number of celebrities participated in the marathon performance art exhibit, including Sharon Stone, Rufus Wainright, and Bjork. Other top people include the guy who showed up a dozen times. And children and pretty females.

Photos by Marco Anelli. © 2010 Marina Abramović


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“Bruce Nauman: Days,” a Sound Sculpture at the MOMA; I don’t get it

Bruce Nauman: Days at the MOMA

How does the Museum of Modern Art follow up on the success of the incredibly popular (I found it a little bland, but it was sold out almost every day I went) Tim Burton exhibit (the 3rd highest attendance among MOMA exhibits of all time)? By putting what I’m betting will be the least attended of recent MOMA exhibits: Bruce Nauman’s Days, a “sound scuplture” that consists of recorded voices saying the days of the week.

The above picture is not of the incomplete installation of the exhibit. That is the exhibit. I took some video to save everyone else a trip to the MOMA’s third floor:

I don’t claim to be much of an connoisseur, but this strikes me as an exhibit that could’ve been done with headphones. Or maybe the third floor bathrooms while people defecate. I think most people can get their fill of disconnected voices repeating the menial at their average airport.

Luckily, the guards get to wear ear plugs. Or else the MOMA might have had a rash of workplace violence incidents on their hands:
Bruce Nauman: Days at the MOMA

From the MOMA webpage:

A recent addition to the Museum’s collection, Bruce Nauman’s Days (2009) was created for, and debuted at, the 2009 Venice Biennale, where the artist represented the United States with the solo exhibition Bruce Nauman: Topological Gardens. Days is a “sound sculpture” consisting of a continuous stream of seven voices reciting the days of the week in random order. Fourteen suspended speakers are installed in two rows with one voice emanating from each pair of speakers as the visitor passes between them. There are men’s voices and women’s voices, old and young. Some speak swiftly, others with pause, each with his or her own cadence. The collection of distinctive voices produces a chorus—at times cacophonous, at others, resonant—and creates a sonic cocoon that envelops the visitor. The work invokes both the banality and the profundity of the passing of each day, and invites reflection on how we measure, differentiate, and commemorate time.

The stereo box was the most interesting and aesthetically pleasant feature of the exhibit:
Bruce Nauman: Days - Sound Sculpture at the MOMA

Bruce Nauman: Days - Sound Sculpture at the MOMA

Marina Abramović Melts Before Your Eyes

Wrote a quick scrape of the Museum of Modern Art’s gallery of Marina Abramović’s “The Artist is Present”. This is Abramovic’s portrait for the last 68 days (I guess the upload isn’t complete yet).
(Update, all 72 days are up, I’ll get around to updating this. Number 72 is a doozy)

Photos by Marco Anelli. © 2010 Marina Abramović

Marina Abramović’s Last Sit at the MOMA

MOMA: Last Day for Marina Abramović

MOMA: Last Day for Marina Abramović

Today was the last day of the phenomenal performance art retrospective by Marina Abramović (“The Artist is Present”). I missed the hijinks, and it didn’t make me cry, but I’m wondering if I will ever enjoy an exhibit at the MoMA as much as Abramović’s. Since its opening week, I’ve seen it at least a half-dozen times, each time noticing something new (some of the exhibits are video recordings as long as an hour).

It was the type of art that sounds like attention-seeking drek if you try describing it (“She’s naked and she walks into a wall really fast. She’s naked and she cuts a pentgram in herself. She’s naked and she dances until she faints!”). But the MoMA did a masterful job of arranging her work; what could’ve been a simple cheap thrill (like brushing past two naked models to get into the exhibit) became a profound and sensical ensemble of her life’s work.

The New York Times describes a brief roundup of her work (the author, Holland Cotter, is dismissive of the MoMA’s restaging of her work, mostly because Cotter thinks that the unpredictability of Abramovic’s art is what gave it its power. I’d be inclined to agree if I hadn’t heard of her before now):

Her solo work from the early 1970s was hair-raisingly nervy. She stabbed herself, took knockout drugs, played with fire. For one piece she stood silent in a gallery for six hours, having announced that visitors could do anything they wanted to her physically. At one point a man held a gun to her neck. Her eyes filled with tears, but she didn’t flinch.

In 1976 she started collaborating with the German artist Uwe Laysiepen, known as Ulay. Some of their performances were punishing athletic events, as they slammed their bodies together or into walls. Others were almost aggressively passive. For a piece called “Imponderabilia” they stood facing each other, nude, in a narrow doorway in a museum. Anyone wanting to go from one gallery to another had no choice but to squeeze awkwardly and intimately between them.

MOMA: Last Day for Marina Abramović

MOMA: Last Day for Marina Abramović

MOMA: Last Day for Marina Abramović

MOMA: Last Day for Marina Abramović

Marina Abramović at the MOMA: Staring contest

Never been a fan of performance art, but it is worth an afternoon at the MOMA. The top floor exhibition has some interesting videos and live art of people slapping each other and being naked.

From the MOMA description:

Abramović, best known for her durational works, has created a new work for this performance retrospective—The Artist Is Present (2010)—that she will perform daily throughout the run of the exhibition, for 77 days and a total of over 700 hours. For her longest solo piece to date, Abramović sits in silence at a table in the Museum’s Donald B. and Catherine C. Marron Atrium during public hours, passively inviting visitors to take the seat across from her for as long as they choose within the timeframe of the Museum’s hours of operation. Although she will not respond, participation by Museum visitors completes the piece and allows them to have a personal experience with the artist and the artwork.

Marina Abramović at the MOMA: Staring contest

Marina Abramović at the MOMA: Staring contest